Active Filters:
Measures: < 20
Play Time: 1:00 - 1:30
Unique Notes: 16 - 20
Clear All Filters

Uploaders

SDG
24. Gib dich zufrieden und sei stille. Schemelli/Bach, inner voices: Gertim. BWV 460.
SDG
1:23 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor/Bass Bass 18 0 5 5 100%
Soprano/Alto Treble 16 0 3 5 96%
Contrabass Bass 13 0 3 5 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor/Bass Bass 18 0 5 5 100%
Soprano/Alto Treble 16 0 3 5 96%
Contrabass Bass 13 0 3 5 50%
 
191. Jesu, Jesu, du bist mein. Schemelli (No. 34), J.S. Bach, BWV 357.
SDG
1:02 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 16 0 3 6 100%
T B Bass 19 0 5 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 16 0 3 6 100%
T B Bass 19 0 5 6 100%
 
All creatures of our God and King
SDG
1:06 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 11 0 0 4 100%
T B Bass 17 1 2 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 11 0 0 4 100%
T B Bass 17 1 2 4 100%
 
26. Gott, wie gross ist deine Güte. Schemelli/Bach. BWV 462. Inner voices: Gertim (SDG)
SDG
1:06 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 5 100%
Tenor/Bass Bass 18 0 3 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 5 100%
Tenor/Bass Bass 18 0 3 4 100%
 
Hark! There Comes a Whisper. Hoor het zacht gefluister, zondaar, kom tot Hem, Joh. de Heer 510.
SDG
1:28 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 10 0 1 5 100%
Tenor/Bass Bass 17 18 4 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 10 0 1 5 100%
Tenor/Bass Bass 17 18 4 5 100%
 
191. Zingt, o hemelkoren.
SDG
1:06 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Stem Treble 11 0 2 4 100%
Bass 16 0 4 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Stem Treble 11 0 2 4 100%
Bass 16 0 4 4 100%
 
93. Es steh'n vor Gottes Throne, BWV 309
SDG
1:18 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 13 0 4 5 100%
Tenor/Bass Bass 19 0 5 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 13 0 4 5 100%
Tenor/Bass Bass 19 0 5 6 100%
 
FOR THE LOVE OF JESUS, All for Jesus, Stainer, Simpson
SDG
1:17 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 13 0 1 2 100%
T B Bass 16 1 2 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 13 0 1 2 100%
T B Bass 16 1 2 3 100%
 
43. Christ, unser Herr, zum Jordan kam. BWV 280. Johann Sebastian Bach.
SDG
1:03 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 2 4 100%
Tenor/Bass Bass 22 0 6 3 100%
Contrabass Bass 16 0 3 2 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 2 4 100%
Tenor/Bass Bass 22 0 6 3 100%
Contrabass Bass 16 0 3 2 50%
 
U alleen, Dutch version, Nederlands, FOR THE LOVE OF JESUS, All for Jesus, Stainer, Simpson
SDG
1:17 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 13 0 1 2 100%
T B Bass 16 1 2 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 13 0 1 2 100%
T B Bass 16 1 2 3 100%
 
134. Hier beneên is 't niet te vinden (oude melodie)
SDG
1:12 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano,
Bas		 Bass 17 0 3 4 100%
Piano,
Alt		 Treble 18 0 6 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano,
Bas		 Bass 17 0 3 4 100%
Piano,
Alt		 Treble 18 0 6 4 100%
 
100. Nee, niet lang meer, zaal'ge woorden (oude melodie)
SDG
1:09 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 18 0 6 4 100%
T B Bass 17 0 3 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 18 0 6 4 100%
T B Bass 17 0 3 4 100%
 
16. Allein zu dir, Herr Jesu Christ. BWV 33.6.
SDG
1:14 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 5 100%
Tenor/Bass Bass 23 0 6 6 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 5 100%
Tenor/Bass Bass 23 0 6 6 100%
Contrabass Bass 19 0 5 4 52%
Bass Bass 4 0 0 2 20%
Tenor Bass 4 0 0 2 16%
 
23. An Wasserflüssen Babylon. BWV 267. Johann Sebastian Bach.
SDG
1:11 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 18 0 4 4 100%
Tenor/Bass Bass 19 0 5 4 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 18 0 4 4 100%
Tenor/Bass Bass 19 0 5 4 100%
Contrabass Bass 17 0 4 3 50%
Tenor Treble 2 0 0 2 4%